Marriage as Entrapment for Men and Women in Ibsens A Dolls House Essay

Marriage as Entrapment for Men and Women in Ibsens A Dolls House - adjudicate ExampleAt first, she thinks that bills is enough to have a happy life, until she realizes that she can non be happy until she whops herself and she cannot love someone she does not know at all. She breaks all gender norms when she decides to leave her family and to turn over a new leaf. The play uses characters, symbolism, and irony to demonstrate the theme of marriage as a metaphor for captivity because it entraps both men and women into delimiting gender roles and expectations, which are particularly disadvantageous for women because once married, they have no license and autonomy to grow as human beings. The characters of the play demonstrate masculine and feminine roles and expectations that produce a marriage based on gender inequality. Torvald is the typical masculine stereotype who is expected to control his familys affairs, including his wifes. As a husband and a father, he sees himself as the dominant breadwinner and opening of dresser in his family. He highly values his role as a breadwinner because in his society, a prosperous man is someone who has a big income and high social status. He tells his wife It is splendid to get that one has a perfectly safe appointment and a big enough income (Ibsen Act 1). rescript conditions men to think about money most of the time because money gives them power, and so Torvald wants to control the source of money in his household. Moreover, Torvalds patriarchal attitudes can be seen in how he treats his wife, such as when he calls her a piffling lark or a little squirrel (Ibsen Act 1). He too believes that it is like a woman to not consider the consequences of their actions (Ibsen Act 1). Torvald sees his wife as a little object, someone who is inferior to him because she is a woman. Moreover, Torvald even thinks that immorality comes from women, not men. He tells Nora Almost everyone who has gone to the pernicious early in l ife has had a deceitful mother (Ibsen Act 1). Nora is quite offended with this belief, barely Torvald honestly thinks that bad people are generally products of bad mothers, which indicates his poor perceptions of women. With such a humble opinion of women, he treats his wife as his doll, someone he can and must control for her consume good. He does not allow Nora to have a social life, which Nora confirms for Mrs. Linde Torvald is so absurdly fond of me that he wants me absolutely to himself, as he says (Ibsen Act 2). Torvald does not want Nora to grow as a soul because she might be a threat to his authority. Instead, he keeps her locked up in their house and ensures that she depends on him for money and social relationship. Two women indicate the result of following socially-produced gender norms. Mrs. Linde represents women who are married to their gender roles and responsibilities. She does not marry for love, but for money because she wants to help her family. She is practic al, but in a way that pushed her to sacrifice her happiness, which is convention for her time because society expects women to have no autonomy and to be obligated in fulfilling the endless needs of their families. Like Mrs. Linde, Nora portrays the feminine stereotype. She is a woman who is married to her motherhood and spousal duties, while representing the feminine stereotype of a superficial spendthrift. Her sole responsibility is to ensure the happiness of her family, especially her husband, and to perform traditional materialistic feminine roles. She buys things needed in their house, supervises the welfare of her children, manages financial affairs, and stays inside their home as a great deal as possible. In other words, she is glued to her roles as a wife and a mother. She is such a traditional woman that